Underground: Hacking, madness and obsession on the electronic frontier — Reading Notes
Edition facts
The catalog record for Underground: Hacking, madness and obsession on the electronic frontier — Reading Notes provides practical reading context through 158,964 words, 11 hr 32 min estimated reading time, and 15 detected text sections.
The text analysis averages about 14.6 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Computer hackers -- Australia -- Biography,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
** This is a COPYRIGHTED Project Gutenberg eBook, Details Below ** ** Please follow the copyright guidelines in this file. **
I have donated my book `Underground' to Project Gutenberg's collection in memory of my great aunt, Lucie Palmer. Lucie was an explorer, a naturalist, a keen undersea diver and above all a gifted painter. In the last years of her life, she lost her vision due to macular degeneration. She could no longer do her beloved undersea paintings. But, while she could not travel in person, she continued to travel in her mind through books for the vision impaired. I hope you enjoy your journey to another world as much as she did. -- From Suelette Dreyfus, Author, Underground
Underground -- Hacking, madness and obsession on the electronic frontier.
By Suelette Dreyfus with Research by Julian Assange.
`Gripping, eminently readable.. Dreyfus has uncovered one of this country's best kept secrets and in doing so has created a highly intense and enjoyable read' -- Rolling Stone
www.underground-book.net
This edition has been specifically adapted for speech synthesis. We recommend using a different distribution with intact type-setting for visual use.
First Published 1997 by Mandarin; a part of Reed Books Australia; 35 Cotham Road, Kew 3101.
a subsidiary of Random House books Australia.
a division of Random House International Pty Limited.
Copyright (c) 1997, 2001 Suelette Dreyfus & Julian Assange.
All rights reserved. Without limiting the rights under copyright above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher.
Typeset in New Baskerville by J&M Typesetting.
Printed and bound in Australia by Australian Print Group.
National Library of Australia.
cataloguing-in-publication data:
Underground: tales of hacking, madness & obsession on the electronic frontier.
ISBN number 1 86330 595 5
1. Computer hackers--Australia--Biography. 2. Computer crimes--Australia. 3. Computer security--Australia. I. Assange, Julian. II. Title.
Send all comments to "feedback@underground-book.net".
Preface to the electronic edition.
Why would an author give away an unlimited number of copies of her book for free? That's a good question. When `Underground''s researcher, Julian Assange, first suggested releasing an electronic version of the book on the Net for free, I had to stop and think about just that question.
I'd spent nearly three years researching, writing and editing the nearly 500 pages of `Underground'. Julian had worked thousands of hours doing painstaking research; discovering and cultivating sources, digging with great resourcefulness into obscure databases and legal papers, not to mention providing valuable editorial advice.
So why would I give away this carefully ripened fruit for free?
Because part of the joy of creating a piece of art is in knowing that many people can - and are - enjoying it. Particularly people who can't otherwise afford to pay $11 USD for a book. People such as cash strapped hackers. This book is about them, their lives and obsessions. It rubs clear a small circle in the frosted glass so the reader can peer into that hazy world. `Underground' belongs on the Net, in their ephemeral landscape.
The critics have been good to `Underground', for which I am very grateful. But the best praise came from two of the hackers detailed in the book. Surprising praise, because while the text is free of the narrative moralising that plague other works, the selection of material is often very personal and evokes mixed sympathies. One of the hackers, Anthrax dropped by my office to say `Hi'. Out of the blue, he said with a note of amazement, `When I read those chapters, it was so real, as if you had been right there inside my head'. Not long after Par, half a world away, and with a real tone of bewildered incredulity in his voice made exactly the same observation. For a writer, it just doesn't get any better than that.
By releasing this book for free on the Net, I'm hoping more people will not only enjoy the story of how the international computer underground rose to power, but also make the journey into the minds of hackers involved. When I first began sketching out the book's structure, I decided to go with depth. I wanted the reader to think, 'NOW I understand, because I too was there.' I hope those words will enter your thoughts as you read this electronic book.
Michael Hall, a supersmart lawyer on the book's legal team, told me in July last year he saw a young man in Sydney reading a copy of `Underground' beside him on the #380 bus to North Bondi. Michael said he wanted to lean over and proclaim proudly, `I legalled that book!'. Instead, he chose to watch the young man's reactions.
The excerpt opens with a hacker known as Electron being interviewed by police after his arrest. When asked why he breaks into computers, he struggles to articulate a motive that officers would understand. He settles on 'the kick of getting in' and 'a sort of ego thing'—knowing he can do what others cannot. The scene then shifts to his arrival at the police station, where a media pack awaits, and he must navigate a bail hearing with a justice of the peace who delivers oddly threatening speeches. The passage captures the tension between the hacker's internal world of challenge and the external legal and social consequences.
The Interrogation Gap
The police interview with Electron reveals a fundamental disconnect. The officers ask about technical details—what is a 'Finger'?—but Electron's answers expose their lack of expertise. More striking is the emotional gap: when asked about his fascination, Electron cannot translate the hacker's mindset into terms a non-hacker would grasp. He mentions 'the kick,' 'challenge,' and 'ego,' but the officers seem to treat these as admissions of wrongdoing rather than explanations of a subculture. The excerpt shows how law enforcement and hackers speak past each other, even when both are in the same room.
The Performance of Arrest
Electron's arrest is staged as a public spectacle. The police car pulls up to a crowd of reporters with cameras and microphones; the hacker blinks in the glare of flashes. This is not a quiet processing but a media event. Inside the watchhouse, the justice of the peace delivers a strange monologue about defendants claiming police brutality, then asks Electron if he has any complaints. Electron, remembering a kick he suffered on his bedroom floor, sees the detective smile and answers 'No.' The scene underscores how the legal system can coerce silence through implicit threats, and how the hacker's vulnerability is exploited.
The Aftermath of Exposure
After bail is granted, Electron watches his name appear on the late-night news. At home, he struggles with the reality that he must give up hacking forever. He has no computer, and even if he did, it would be too dangerous. The excerpt ends with him coming to terms with loss—not just of a hobby, but of an identity. The hacker's world, once defined by secret mastery and the 'hot challenge,' is now exposed and forbidden. This passage hints at the psychological cost of being caught: the obsession that drove him is now a liability, and the frontier has closed.
The excerpt from Underground offers a concentrated look at the moment a hacker's double life collapses. Readers should note how the author builds the narrative around specific, often awkward interactions—between hacker and police, hacker and media, hacker and family—rather than technical exploits. The tension lies not in the code but in the human consequences of transgression. Pay attention to the small details: the kick on the floor, the smile of the detective, the JP's cryptic warnings. These are the textures that make the account more than a chronicle of crimes.
Electron’s interrogation reminded me of my own teenage lock-picking phase—not wires, but the quiet thrill of a snapped padlock. That same obsessive patience surfaced reading The Puering, Bating & Drenching of Skins — Reading Notes, where even leather’s slow softening felt like a secret entry. Both books hum with that ache: the wanting in, the door left ajar.
There are no reviews for this eBook.
Your personal reading reflection
Build a private reading journal entry for this title.