Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 1 (of 3) — Text and Context

Alighieri was the grandfather of Dante; and concerning him, Cacciaguida, in the last-mentioned canto, informs the poet, that, for some unnamed offence, his spirit has been more than a hundred years pacing round the first circle of the mountain of purgatory; adding,--

"Ben si convien, che la lunga fatica Tu gli raccorci con l' opere tue."

"And well it would be, were his long fatigue Shorten'd by thy good deeds."

Dante was born in the spring of the year 1265. Benvenuta da Immola calls his father a lawyer; but little more is recorded of him except that he was twice married, and left two sons and a daughter, at an early age, to the guardianship of relatives. Dante (abridged from Durante) was born of Bella, his father's second wife, of whom, during her pregnancy, Boccaccio relates a very significant dream,--on what authority he does not say, and with what truth the reader may judge for himself. She imagined herself sitting under the shade of a lofty laurel, in the midst of a green meadow, by the side of a brilliant fountain. Here she was delivered of a boy, who, in as little time as might easily happen in a dream, grew up into a man before her eyes, by feeding upon the berries that fell from the tree, and drinking of the pure stream which watered its roots. Presently he had become a shepherd; but, climbing too eagerly up the stem to gather some leaves from the laurel, with the fruit of which he had been hitherto nourished, he fell headlong to the ground, and on rising appeared no longer a man, but a magnificent peacock. It would be aggravating the offence of wasting time by quoting such a fable, were we to give the obvious interpretation. This, however, the great Boccaccio has done with most magniloquent gravity,--a task for which, of all men, he was no doubt the most competent, as it is probable that no soul living (the lady herself not excepted) besides himself was in the secret either of the vision or the moral. One point of the latter, which could not easily be guessed, may be mentioned; namely, that the spots on the peacock's tail (the hundred eyes of Argus) foreshowed the hundred cantos of the "Divina Commedia." The ingenious author of the Decameron may have borrowed the idea of this dream from Dante's own allusion to the laurel and its leaves,--the meed of poets and of princes,--in his preposterous invocation of Apollo at the commencement of the "Paradiso."

Dante himself never alludes to this notable omen, though often referring, with conscious pride, to his genius, and the circumstances by which it had been awakened and exercised. This he attributed to the benign influence of the constellation Gemini, which ruled at his nativity. In the "Paradiso," Canto XXII., mentioning his flight from the planetary system to the eighth sphere, where the fixed stars have their dwelling, he exclaims,--

"O Reader! as I hope once more to reach That realm of holy triumph[1], for whose sake I oft lament my sins and smite my breast, Thou could'st not, in so brief a space, through fire Have pass'd and pluck'd thy finger, as I saw And was within the sign that follows Taurus. O glorious stars! light full of highest virtue! From whence, whate'er it be, my genius sprang, With you arose, and set the Sire of life[2], When first I breathed the Tuscan air. With you My lot was cast, when grace was given to mount The lofty wheel which guides your revolutions. To you, devoutly, my whole soul aspires To gather courage for the bold adventure That draws me onward tow'rds itself."[3]

Brunetto Latini (his tutor afterwards) is reported to have foretold the boy's illustrious destiny, on due consultation with the heavenly bodies that presided at his birth. Yet, superstitious as Dante appears to have been in this respect, in the twentieth canto of the "Inferno" he punishes astrologers, and those who presume to predict events, by twisting their heads over their shoulders, and making those for ever look backward who, too daringly, had looked forward into inscrutable futurity.