Model aeroplanes The building of model monoplanes, biplanes, etc., together with a chapter on building a model airship — A Closer Reading

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Camm, F. J. (Frederick James), 1897-1959 Project Gutenberg 2022 Not confirmed
Airplanes -- Models Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 30,786
Reading time 134 min
Text sections 23

Model aeroplanes The building of model monoplanes, biplanes, etc., together with a chapter on building a model airship — A Closer Reading can be approached with a clearer sense of reading commitment from its source measurements: 30,786 words, 2 hr 14 min estimated reading time, and 23 detected text sections.

The text analysis averages about 17.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Airplanes -- Models,” connecting these edition facts with the source record’s subject description.

F. J. Camm's 1920 handbook on building model aeroplanes, with precise instructions for monoplanes, biplanes, and a model airship, emphasizing practical construction techniques and the physics of flight.
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Editorial Edition Score 4.8/5

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  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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Underscores “_” before and after a word or phrase indicate _italics_ in the original text. Equal signs “=” before and after a word or phrase indicate =bold= in the original text. Small capitals have been converted to SOLID capitals. Illustrations have been moved so they do not break up paragraphs. Typographical and punctuation errors have been silently corrected. Many of the illustrations are not in numerical order. This is not a mistake, it is part of the original book.

The Building of Model Monoplanes, Biplanes, etc., together with a Chapter on Building a Model Airship

WITH 190 ILLUSTRATIONS

NEW YORK FUNK & WAGNALLS COMPANY

This is a practical handbook on the principles, constructional details and methods of building model aeroplanes, written by a well-known model aeroplane designer and builder. It deals with every part of a machine and describes a number of different types, including monoplanes, biplanes, collapsible machines, tractor monoplanes, hydro-monoplanes, aeroplanes driven by compressed air, etc., etc. The concluding chapter explains how to build a model airship, and, as in the case of all the others, is based on the results of practical experience. Readers in need of further information on the subject should address their inquiries to “Work,” La Belle Sauvage, London, E.C., through whose columns (but not by post), assistance will be gladly given.

1. WHY AN AEROPLANE FLIES 1 2. TYPES OF MODEL AEROPLANES 12 3. PRACTICAL CONSTRUCTION: MODEL AEROPLANE FUSELAGES 19 4. PRACTICAL CONSTRUCTION: CARVING AIR-SCREWS 35 5. PRACTICAL CONSTRUCTION: BENDING AIR-SCREWS 42 6. PRACTICAL CONSTRUCTION: PLANES 47 7. SIMPLE TWIN-SCREW MONOPLANE 54 8. SIMPLE TWIN-SCREW BIPLANE 61 9. WINDERS FOR ELASTIC MOTORS 69 10. COLLAPSIBLE MONOPLANE 73 11. TRACTOR MONOPLANE 80 12. HYDRO-MONOPLANE 87 13. COMPRESSED-AIR ENGINE FOR MODEL AEROPLANE 94 14. BIPLANE DRIVEN BY COMPRESSED-AIR ENGINE 104 15. GENERAL NOTES ON MODEL DESIGNING 120 16. GENERAL NOTES 124 17. EASILY-MADE TAILLESS KITES 136 18. BUILDING A MODEL AIRSHIP 141 INDEX 154

Why an Aeroplane Flies

Why does an aeroplane fly? The question is worthy of close examination. There is one common enemy to aeroplanes—the force of gravity. Were it not for the existence of this force, which, as Newton put it, “is unseen and unheard and yet dominates the universe,” the problem of the aeroplane would have been solved years ago.

Most readers have handled the toy kite, and since the principles governing the flight of a kite are precisely the same as those which apply to the aeroplane, the latter will be the more readily understood if the principles are explained through this medium. Full-size aeroplanes to which certain models approximate are shown in Fig. 1.

If a kite is launched in a wind it speedily attains a certain height or altitude, at which it remains so long as the wind does not drop. The wind is overcoming gravity, which constantly endeavours to bring the kite to earth, and hence, since the kite remains in the air, the forces acting on the kite are said to be in equilibrium—that is, balanced. The forces are shown diagrammatically in Fig. 1A, and include gravity, which is practically constant and remains unaltered under all conditions, the air pressure which, when sufficiently intense, lifts the kite against the action of gravity, and the pull of the string. The air pressure is really a combination of two forces—lift and drift. The drift or resistance tends to move the kite in the direction of the wind, and lift to raise the kite in opposition to gravity. Since, therefore, drift is an undesirable factor, the resistance of the machine must be made as low as possible, as it absorbs power, as will clearly be seen. If the velocity of the wind drops, the kite drops also, increasing its angle with the horizon, thereby causing it to capture and force down more air until equilibrium is again restored. If the string of a kite breaks, the balance of the forces is destroyed, drift and gravity taking command and so bringing the kite to earth.

If it takes a wind of fifteen miles an hour to lift a kite, similarly it would lift to exactly the same elevation if the holder of the kite-string commenced to run at a rate of fifteen miles per hour in calm air.

Now, an aeroplane is merely a kite with a mechanical arrangement (the engine and propeller) which supplies the motion necessary to fly it, and eliminates the necessity for a wind. This statement can easily be followed. In the aforementioned parallel it was seen that it was immaterial whether the kite-flyer was standing still with the wind moving at fifteen miles per hour, or whether he was moving at the rate of fifteen miles per hour in still air. The result in each case is the same—the kite flies.

Camm opens not with a list of tools but with a question: "Why does an aeroplane fly?" The first chapter grounds the builder in the physics of lift and gravity, using the familiar kite as a stepping stone. This is no dry treatise; the prose moves briskly from Newton's "unseen and unheard" force to the equilibrium of forces keeping a kite aloft. The voice is that of a patient instructor who expects the reader to build, not just read.

The book's structure reinforces this practical bent. Early chapters lay out principles; later ones deliver step-by-step construction for specific models, from a simple twin-screw monoplane to a compressed-air-driven biplane. The language shifts from explanatory to imperative: "select a piece of yellow bamboo," "bend by holding over an incandescent gas burner." Camm trusts the reader to follow, but he never assumes prior knowledge.

From Principles to Plans

The opening chapter establishes a clear pedagogical arc. Camm begins with the kite—a device most readers would have handled—and uses it to explain the forces acting on an aeroplane. He writes that "the principles governing the flight of a kite are precisely the same as those which apply to the aeroplane." This analogy recurs throughout, grounding abstract concepts in tangible experience. The language is direct, even conversational: "the wind is overcoming gravity." By the second chapter, the reader is already surveying types of models, from monoplanes to hydro-monoplanes, each with a distinct purpose. The pace quickens as Camm moves from theory to taxonomy, preparing the builder for the detailed plans that follow.

Precision in Construction

The construction chapters reveal Camm's insistence on exact measurement and material choice. For the hydro-monoplane, he specifies bamboo strips of ³/₁₆ in. by ³/₃₂ in., bent over a gas burner. The dihedral angle of the main plane is "1 in 7," meaning the tips sit 2⅝ in. higher than the centre. Every dimension is given in fractions of an inch; every joint is described with care. The floats are built from ¹/₂₀-in. birch, nailed to whitewood, and covered with proofed silk. Camm even provides a waterproofing recipe: two parts boiled oil to one part gold size. The prose is dense with numbers, but the rhythm is steady—each step follows logically from the last. The builder is never left guessing.

The Voice of the Workshop

Camm's narrative voice is that of a seasoned practitioner who values clarity over flourish. He uses the imperative mood freely: "select," "bend," "join," "cover." Yet he also pauses to explain why—why the elevator is attached with elastic bands, why the floats have a specific angle of incidence. The tone is authoritative but not condescending. When describing the propeller, he notes it is "carved from a solid piece of mahogany" and "glasspapered to a thickness of about ¹/₂₀ in." The sensory details—the smell of boiled oil, the feel of silk—are rare but effective. This is a book written by someone who has built these models, and the reader is invited into that workshop.

Camm's handbook rewards a slow, attentive reading—preferably with bamboo and silk at hand. The prose is lean, the instructions exact. Readers should approach it not as a historical curiosity but as a working manual: the measurements are real, the techniques tested. Whether building a simple monoplane or the ambitious model airship, the builder will find a patient guide who expects precision and offers no shortcuts. The book's value lies in its specificity; every fraction of an inch matters.

Flipping through Camm’s careful little diagrams, I felt the patient arithmetic of wings and struts, and it put me in mind of another quiet obsession—tiny gears and escapements. There’s a shared tenderness in both, a reverence for the smallest adjustment. I found myself returning to The watchmakers' hand book — Reading Notes, just to feel that same unhurried precision again, like a familiar fingerprint on an old tool.

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